Authentic Second Hand Yves Saint Laurent Uptown Braided Raffia Small Tote (PSS-B41-00001) - THE FIFTH COLLECTION
Authentic Second Hand Yves Saint Laurent Uptown Braided Raffia Small Tote (PSS-B41-00001)
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Yves Saint Laurent

Uptown Braided Raffia Small Tote

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Description

Crafted in brown braided raffia and black leather. Designed with two leather handles, a detachable strop and removable envelope clutch, decorated with gold-tone metal 'YSL' initials. Features a front slip pocket, gold-tone studded base, two-way zippered closure to a black leather and fabric interior with a side slip compartment. From 2019. Comes with dustbag, care card and authenticity card.

Please note that there are some faint scratches on the flap of the envelope clutch, faint scratches on the gold-tone hardware and a white stain on the inner slip compartment.

  • measurements 23cm (length) 23cm (height) 12cm (depth) 9cm (top handle drop) 51cm (strap drop)
  • includes Dustbag, Authenticity Card, Care Card
  • Condition Pristine
  • Colour Brown
  • season Seasonless
  • year 2019
  • Est. Retail (SGD) 3250
  • Reference PSS-B41-00001
  • Tags Bags, Black, Braided, Brown, Clutches, Envelope, Envelope Clutch, Gold Hardware, Leather, Leather Handle, Metal, Monogram, Open, Slip Pocket, Small Tote, Straw, Studded, Totes, Two Way
  • Internal 31321620-113-CH

Yves Saint Laurent was so far ahead of his time as a designer that vintage YSL clothes and jewellery today fit seamlessly in with the modern wardrobe. Saint Laurent is undoubtedly among the most popular categories in preloved, particularly second hand bags such as the Muse, unique jewellery such as the Arty ring and shoes such as the Tribute sandals.

Yves Saint Laurent started in high fashion under Christian Dior before he started his own label. It is no exaggeration to say that he revolutionized fashion and influenced society through his designs and advertising that blurred the lines between men and women’s fashion. His designs resonate to this day and made him the first living designer honoured at the Met in 1983.

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